Kazimir Malevich’s evolving relationship with Suprematism in the post-1920s era was influenced by a variety of factors, reflecting a complex interplay of political, personal, and philosophical dynamics. Politically, the ascent of Joseph Stalin’s regime in Soviet Russia marked a significant shift in cultural policies, favoring Socialist Realism as the sanctioned artistic style. Suprematism’s abstract, non-representational approach clashed with the regime’s preference for art that served propagandistic purposes and depicted idealized Soviet themes. Consequently, Malevich encountered mounting challenges in showcasing and disseminating his Suprematist works within the state-controlled artistic milieu. However, Malevich’s relationship with Suprematism was not solely defined by external pressures. Internally, he experienced a gradual evolution of his artistic…