Tracing the Path to a Visual Language of the Soul Before Wassily Kandinsky stripped away the figure, before the symphonies of line and color, there was a rider — mid-gallop, merging with the landscape. Painted in 1909, Picture with a Riding Archer and Landscape is not yet abstract, but abstraction is already whispering through its brushwork. Why the Rider Matters Kandinsky saw music in color and spirituality in shape. In this painting, we witness the transitional moment: figuration dissolving into movement. The rider doesn’t dominate the scene — he becomes it. Forms blur, outlines soften, emotion overtakes narrative. A Glimpse into the Turning Point This work is critical for collectors…