The first owner of this painting was avant-garde artist Alexei Gan, a co-founder of the First Working Group of Constructivists with Alexander Rodchenko and Varvara Stepanova. Gan edited Kino-fot (1922–23) and co-edited Contemporary Architecture (1928), where Malevich also published articles. His partner, Esfir Shub, was a noted documentary filmmaker. Two Peasant Women belongs to Malevich’s second peasant cycle of the late 1920s. This intense painting synthesizes Malevich’s avant-garde activities, drawing from his first peasant cycle of the early 1910s. The imagery aligns with Russian icon painting, with the two women’s postures echoing saints in Orthodox Deësis. Their golden-hued background resembles traditional icon backdrops, with a two-toned pozem effect. The scarves…